Air Dancer Opera
ACT V, camera/edit by Kera MacKenzie
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Air Dancer, Pink, Aurora borealis, Artists Run Chicago 2.0, Hyde Park Art Center


We Are Gold Together, Terrain Biennial, 2019
We Are Gold Together,  Colvin House, 2019


We Are Gold Together

Air Dancers — Dancing together — At Last
Irridecent polyester over windproof ripstop nylon, industrial fans, cords, electricity 2019

Created for the Terrain Biennial and shown at the Oak Park and Evanston Block Parties, curated by Jeff Robinson. Since then, they have been shown at Roman Susan Art and Colvin House.

Terrain Biennial, 2019, Oak Park


Grunt Work

with Vida Sačić, Art In Place, Terrain, 2020, Chicago, IL

As spaces of sanctuary shrink and intimate connections are made with utmost discretion, we celebrate the power of the body as canvas and its capacity to reveal, inform, and disclose the poetic and the political. Vida Sačić prints words translated from Croatian folktales and personal journals on garments and pattern pieces constructed out of nylon translucent fabric by Kristin Abhalter Smith. These performative objects reflect an ongoing collaboration responding to relationship, identity, power and strength.

Video: Grunt Work, Video Documentation 1 of 1, 2019


Grunt Work 
inflatable dress, installation documentation, printed nylon and thread
dimensions variable up to 72 inches, 2019-2020


with André Alves, Flatland, Chicago, 2019

Inflatable sculpture in a defunct garment factory — and an obsession with trying to make the two-legged dance. A collaboration illustrating the work manifesto and personality of the air dancer and it’s role in capitalist structure.

Chris Reeves: Hey you two! I think you could be paired up for a show at Flatland.
(...) That I might know two different artists making work about the air dancer seemed too good an opportunity not to mine. I’m interested both in how your respective approaches to the air dancer’s infinite performance might transform or complement the possible unforeseen ideas in your collaboration.

Kristin Abhalter Smith: Chris tells me you are into the air-dancer...what is your current relationship with them and what are you interested in exploring?

  Two-legged air dancer by Abhalter Smith - Click for video

André Alves: For me, the air dancer has the perfect qualities of the worker desired by the market: never tired, always happy, self-sufficient. And so, I've started to make works playing with the figure of the air-dancer as impossible image.

Site-specific image from Flatland Speigel Factory environs by André Alves

Installation view of air dancer suit made to fit André by Abhalter Smith

Kristin Abhalter Smith:
I am also interested in the tragic aspect of the air dancer. I have always been drawn to them because of their duality and how they seem to exist in this place of turmoil and whenever I encounter them 'in the wild' I am laughing and crying at the same time, since their inane comedy seems to enhance the sad nature of their surroundings.

Outline of a human in gold on an air dancer by Abhalter Smith

André Alves: I’m looking forward for the dialogue that we can come up together around this. How we can develop an exhibition which translates the dialogue we are having, and the spatial exploration we are making around Flatland, outgrowing the art space, spreading to the factory as physical and symbolic site of our intervention.
Kristin Abhalter Smith:
These sculptures are the ultimate wind bags, and I think of them as characters in a visual opera. Through movement, they embody and emit the wildest range of emotions and I am excited about the ways spectators become participants in the emotional journey.

Interaction with the air-dancer suit during installation

With Fábrica I am experimenting with shapes and evaluating the ways in which the air dancer and the human body are similar and what shapes are most animate. I am having fun wearing the glasses of André’s research considering the body of the worker while crafting these bodies through modeling, patterning, and multiple interpretations of figurative representation.

Interaction with the air-dancer suit during installation

I try to make room for as much joy in the process as in the product. It will be exciting to see how Andrés text, sound, and layers of thought expressions further contextualize the air dancer and bend the narrative of the shapes.

Solid Air

STNDRD, 2018, Granite City, IL

Flag of reclaimed vintage china silk from color guard flags, thread, rope, flagpole
dimensions variable up to 12’ long
Performance with ritual text by Gwyneth Zelany Anderson & movement by Gwyneth Zelany Anderson, Amanda Bowles, Andrea Freeman, Rachel Hermann, Amelia Jones

Solid Air is imbued with the actions and words of a ritual that manifests energetic transformation. Change is continual, yet transformation can be witnessed through observance of tangible residue such as the shedding of a snakeskin or the ephemeral setting of the sun. Pieces of china silk, once used as marching band flags, re-configured with dressmaking techniques become ritual objects in this evocative spectacle.

Six streamers, each double the length of the STNDRD flagpole wrap six women who are the instruments of change. The women help each other shed their wrappings and attach them to bamboo sticks for a parade down the street in Granite City, passing by a crowd that is participating in another transformation ritual as artist Cam Fuller invites others to demolish his undrivable truck with a sledgehammer.

The percussion of the busted metal propells the momentum of the spectacle which continues down the block to the site of the STNDRD flagpole. The movements of the women propel the streamers through the air and the site is filled with color and form and the intention of energetic transformation. The streamers are then attached to the flagpole and the women stand at the foot of the pole, holding the flags in the air and they perform Gwyneth Zeleny Anderson’s call-and-response text in which they invoke active listening to the sounds of the space around them: the sound of the air, the sound of the earth below them, the sound of those in this world who are yearning for change.

The pole is wrapped clockwise as the women walk through tall grasses and wildflowers surrounding the pole, and another text is spoken before the pole is unwrapped. This unwrapping is not easy, as the group of women struggle to remove part of the fabric which has become snagged on the flagpole hardware. This struggle continues while the women hiss like snakes in mutual encouragement before managing to unravel the fabric once again so it can be bundled loosley and tied together, symbolizing unity and left to blow in the wind for two months as a reminder of the work we must do together to bring about desired change.


Ignition Projects, 2018, Chicago, IL

The realm of merging forces. Potential energy. Infinity meets chaos.
Constancy, expectancy, inevitability.
Energetic potency. Windbags and wishes.
Inflation, suspension, grace.
Inflation, suspension, fall from grace.
Force of grace.

The seed of this section of my ongoing opera project is a painting that is part of a series investigating movement and joining.

I animate this image with inflatable sculptures. They are made from various nylon fabrics, some of them screen-printed. They may be handled gently, especially if the sculptures initiate an encounter, or if they are droopy and need an intervention.

The visiting audience is invited to make decisions about the experience through interactive control devices and costume changes. Participants are welcome to take with them a commemorative iron-on patch to enhance their personal wardrobe.

Video:  Installation View, Ignition Projects, 2018
Botanical series
Color-infused interpretations of botanical drawings using traditional backdrop painting techniques.
Pricing:    $600    Small    (up to 40 x 64 inches ~ 24 sq. ft)
                $1200  Large    (over 24 sq. ft. )   
                Double charge for commissions. Prices include custom stretcher and local delivery.

                Please allow 30 days for available work and 90 days for commissions. Email me.

fan palm, filifera & monstera, dry pigment acrylic paint on muslin, 86"h x 72"w (SOLD)

palm & monstera, dry pigment acrylic paint on muslin, 42"h x 92"w

houseplant cobalt, dry pigment acrylic paint on muslin,
42"h x 55"w

houseplant lavender, dry pigment acrylic paint on muslin,
42"h x 55"w

filifera & fan palm, dry pigment acrylic paint on muslin,
42"h x 30"w

diffenbachia, flashe & dry pigment acrylic paint on muslin,
42"h x 30"w

palms, flashe & dry pigment acrylic paint on muslin, 42"h x 55"w

Antecedent series
Movement inspired designs exploring gradient and internal space. 
Pricing:    $300 /ea. unframed

Limited Edition

Sequined Hats

— Sold at buddy
lined with polar fleece for extra warmth and wind protection for your ears and stretch satin lining to protect your hair as much as possible.

AlbertAnette is for warm people in cold climates. ︎


Kristin Abhalter Smith creates experiences with anthropomorphic inflatable sculptures and expressive garments that create opportunities for physical response and mental release from conscious reality. She celebrates creativity and seeks to expand the definition of places where art can happen. As director of the exhibition space, ROMAN SUSAN Art, she has helped produce 150+ artist-led exhibitions and performances with 1000+ artists since 2012.

download:     C.V. Exhibitions    

download:     C.V. Set Design    














SIP — Hyde Park Art Center, Chicago, IL
Flatland Presents: "An Atlas" Publication and series of events — Co-Prosperity, Chicago
Anything Can Be a Dragon, Anything Can Be A Snake — NEIU Gallery, Chicago, IL

Artists Run Chicago 2.0 — Hyde Park Art Center, Chicago, IL
Grunt Work, with Vida Sačić — Art In Place, Terrain Exhibitions, Chicago, IL

We Are Gold Together — Terrain Exhibitions, Oak Park & Evanston, IL
Fábrica — with André Alves, Flatland, Chicago, IL
Like Sirens — curated by Erin Hayden, OPEN Gallery, Circle Contemporary, Glenview, IL
Costumes for Vexations for A Flagpole by Lauren Sudbrink — North Pole Exhibitions, Chicago, IL
Costumes for Essay on the Emil Bach House by Corey D. Smith — Chicago, IL

Antecedent  — Ignition Projects, Chicago, IL
Antecedent + S.P.Q. — Nasty Brutish & Short Puppet Cabaret, Links Hall, IL
Solid Air — performance with Gwyneth Zeleny Anderson, STNDRD, Granite City, IL
Preliminary — Ignition Projects, Chicago, IL

Ekstasis — Demo Projects, Springfield, IL

Myopia — For The Thundercloud Generation Gallery, Chicago, IL

We Are New to the Mountain — SÍM Gallery, Reykjavík, Iceland
Be Mine — Greenleaf Art Center, Chicago, IL

Organized Light — Art on Armitage, Chicago, IL
Flying House — Frameworks Gallery, Baton Rouge, LA
The Art of Human Rights — Heartland Alliance at Palette & Chisel,Chicago, IL
Art One — The Observatory, Chicago, IL
War, Peace and More War — Out of Line Art Gallery, Chicago, IL

Positive Reinforcement — Peanut Gallery, Chicago, IL

Cavernous — Plaines Project, Chicago, IL

Criticorps — Version Festival 10, Co-Prosperity Sphere, Chicago, IL
No-Assumption: Exhibition of art in a Residence — Private Residence, Minneapolis, MN

Abandoned Antarctic Shanty — Art of This, Soap Factory Art Shanty Project, Medicine Lake, MN


Roman Susan Art, Founding Executive Director, Chicago, IL
Develops and supports new opportunities to create, display, and experience art


IAS Professional Development Grant — Illinois Arts Council, State of Illinois
Individual Artists Program Grant — Illinois Arts Council, State of Illinois
Individual Artists Program Grant — Department of Cultural Affairs & Special Events, Chicago, IL
SÍM Residency — Reykjavík, Iceland
Century Council Scenery & Properties Design Award — University of Minnesota, Twin Cities





Guest Lecturer — University of Illinois Chicago, School of Art & Art History
Portfolio Review Panelist — School of the Art Institute, Chicago, CAPX Department
FIELD/WORK Proposal Review Panelist — Chicago Artist Coalition
Grant Application Panelist — Department of Cultural Affairs & Special Events, Chicago, IL
FIELD/WORK Proposal Review Panelist — Chicago Artist Coalition
Visiting Artist — School of the Art Institute, Chicago, IL
Panelist, Proposals Class, Deborah Boardman
Lecturer, Sculpture Class, Sarah Berkeley
Teaching Artist — Woman Made Gallery, 20 Neighborhoods, Chicago, IL
Paper-making sessions at Howard Area Community Center


Lead Painter — Rogers Park Mile of Murals, Thomas Kong’s Be Happy, Chicago, IL
Anette Chicago, Artist Storefront Residency Program, Chicago, IL
Rogers Park Arts Alliance, Chicago, IL



Professor of Theatre Design — Minneapolis Community and Technical College, Minneapolis, MN
Staff designer, production crew leader and instructor
Theatre Design Scene Shop Supervisor — University of Minnesota, Minneapolis, MN



International Association of Theatrical Stage Employees (IATSE), Journeyperson
Studio Mechanics Union Local 476, Chicago, IL










Set Designer — Work In Progress, SHOWTIME, Chicago, IL
Set Designer — Untitled Henry & Rel Science Fiction Feature, NETFLIX, New Orleans, LA
Set Designer — Red Line, Warner Brothers, Chicago, IL
Set Designer — Philip K Dick’s Electric Dreams, SONY Pictures, Chicago, IL
Set Designer — Chicago Fire, Chicago Justice, NBC Television, Chicago, IL
Set Designer — A.P.B., FOX Television, Chicago, IL
Set Designer — Zoobiquity (Pilot), FOX Television, Chicago, IL
Set Designer — Empire, FOX Television, Chicago, IL
Set Designer — Beast on the Moon, Raven Theatre, Chicago, IL
Set Designer — Sinister 2, Blumhouse Feature Film, Chicago, IL
Set Designer — Women at War, Rivendell Theatre, Chicago, IL
Asst. Set Designer — Lift by Walter Mosley, Crossroads Theatre, New Brunswick, NJ
Charge Scenic Artist — Raven Theatre, Chicago, IL
Art Director — Empire Today, National Carpet TV Commercial, Chicago, IL
Art Director — Beat Up, Music Video, Chicago, IL
Set Design Consultant — New Play Workshops, Penumbra Theatre, St. Paul, MN
Charge Scenic Artist — Penumbra Theatre, St. Paul, MN
Scenic Artist — Guthrie Theatre, Minneapolis, MN
Charge Scenic Artist — Claude Wampler: (career ender), Walker Art Center, Minneapolis, MN
Set Designer — Aunt Dan & Lemon, Hamline University, St. Paul, MN
Set Designer — The Screen The Thing by Justin Jones, Walker Art Center, Minneapolis, MN
Set Designer — Tiny Town by Karen Sherman, Walker Art Center, Minneapolis, MN
Design Studio Intern — Denver Center Theatre, Denver, CO





Continuing Studies in Rhino and Maya digital platforms, laser cutting and 3D applications
3D Printing & Digital Models — The School of the Art Institute, Chicago,IL
Continuing Studies in écorché sculpture and traditional oil painting techniques
Anatomical Sculpting and Painting — Vitruvian Academy, Chicago,IL
Master of Fine Arts in Design and Technology — University of Minnesota,Twin Cities
Production Assistantship as Scenic Charge Artist
Thesis: Techniques for Traditional Victorian Style Backdrop Painting
Bachelor of Arts and Sciences — Washington University, St. Louis, MO
Technical Theatre and Cultural Anthropology

The Screen The Thing
by Justin Jones
Walker Art Center Momentum Series
Southern Theatre, Minneapolis

la brea

by Anna Shogren for Momentum Series
Walker Art Center/Southern Theatre, Minneapolis, MN

Tiny Town by Karen Sherman
Southern Theatre, Minneapolis
Walker Arts Center Momentum Series

Aunt Dan and Lemon

Hamline University Theatre, St. Paul
Directed by Jeff Turner

Dance of the Holy Ghosts

by Marcus Gardly
Playwright's Center, Minneapolis
New Play Workshop
Directed by Dominic Taylor